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Tag: Robert Pattinson

  • Robert Pattinson’s ‘you see how this looks, right’ Primetime Quote: What It Really Means

    Robert Pattinson’s ‘you see how this looks, right’ Primetime Quote: What It Really Means

    Key Highlights

    • Robert Pattinson portrays Chris Hansen in the A24 film Primetime, now in U.S. theaters, with early trailers going viral for his delivery of Hansen’s iconic line: “You see how this looks, right?”
    • Pattinson, considered an outside Oscar contender, tells LADbible he found it fascinating how the serious Dateline segment To Catch a Predator became an internet meme, and anticipated the trailer’s own viral second life.
    • The film holds an 87% Rotten Tomatoes score; Variety praises “extraordinary performances” that make the “uncompromisingly grimy” movie unignorable. U.K. release is set for 31 October.

    Pattinson’s Chris Hansen Portrayal Ignites Viral Buzz Ahead of Primetime Release

    A24’s Primetime has arrived in U.S. cinemas, propelled by a wave of online attention that began months before opening weekend. The catalyst was Robert Pattinson’s uncanny embodiment of Chris Hansen, the former host of NBC’s Dateline: To Catch a Predator. Early trailers spread rapidly across social platforms, zeroing in on Pattinson’s delivery of Hansen’s signature confrontation line: “You see how this looks, right?” The clip turned the actor into an instant meme and placed him in the early conversation as a dark-horse contender for the Academy Award for Best Actor.

    The Irony of a Serious Sting Operation Becoming Internet Comedy

    In an exclusive interview with LADbible, Pattinson dissected the strange trajectory that took a hard-hitting investigative news segment and transformed it into lasting meme fodder. He explained that the script’s central tension—the gap between the show’s grave purpose and its eventual ironic afterlife—was what drew him to the role. “I think that’s one of the things I found interesting about the characters and the story, it’s one of those weird internet things, why has he been co-opted? When you look at the chronology of how people were receiving the show… it was a segment on the news, that’s what it was,” Pattinson said. He described the speed of the shift as jarring: “To be so popular immediately was so strange, but then it was co-opted so quickly by people doing parodies and people normalising it and it being something which people were imitating just immediately.”

    The actor dug deeper into the “alchemy” that made audiences read a predator sting as entertainment. “You’re like ‘Why? What was it about the alchemy of the different elements that made it first of all something where people interpreted the news as sort of like… funny? Because it wasn’t supposed to be funny,” he observed. Pattinson acknowledged the difficulty of predicting internet culture but admitted he sensed the trailer might follow the same path: “But then it had this second life as this internet thing, which in some ways was ironic, it’s so difficult to understand why anything happens on the internet but I kinda thought there was a possibility that that might happen.”

    Chris Hansen Embraces the Meme Legacy

    The subject of the portrayal has publicly welcomed his unexpected digital fame. Chris Hansen has addressed the phenomenon repeatedly, most notably during a 2019 appearance on the H3 podcast. He framed the meme status as a generational bridge: “It’s amazing to me because a whole generation of people who were kids or not even born when we started doing To Catch a Predator now know me through YouTube clips and memes.” Hansen argued that resistance is futile in modern media: “I think it’s great. You have to embrace it—if you take yourself too seriously in this business, you’re done.” He traced his own acceptance to the shift from rigid network formats to audience-driven clips: “At first, back at NBC, everything had to be very rigid news broadcast format. But when I saw the online reaction, I realized people loved the catchphrases and the dramatic moments. So why fight it?”

    Critical Reception and Release Schedule

    Early critical consensus suggests the film transcends its viral marketing hook. Primetime holds an 87% rating on Rotten Tomatoes at the time of publication. Variety highlighted the ensemble’s work as the anchor that prevents the film’s bleak aesthetic from alienating viewers: “This uncompromisingly grimy approach would be actively repellent were it not for the extraordinary performances, which make Primetime a thing you cannot stop watching even as the desire to flee to the nearest shower cubicle grows.” The film is currently playing in U.S. theaters and expands to U.K. cinemas on 31 October.

    Why This Matters

    Primetime arrives at a cultural moment where true-crime media, internet irony, and prestige cinema increasingly overlap. The film uses the To Catch a Predator legacy—once a staple of appointment-viewing broadcast journalism, later a staple of YouTube compilation culture—as a lens to examine how digital platforms strip context from serious events and repurpose them as content. Pattinson’s casting signals A24’s continued strategy of pairing bankable stars with challenging, director-driven material. For awards watchers, his “outside contender” status will be tested by the crowded Best Actor field and the Academy’s historical reluctance to reward horror-adjacent or deeply uncomfortable performances. The U.K. release on 31 October positions the film for Halloween-season horror audiences while keeping it eligible for the 2025 awards cycle.

    Frequently Asked Questions

    When and where can I watch Primetime?
    The film is currently in wide release in U.S. cinemas. It opens in U.K. cinemas on 31 October. No streaming date has been announced.
    Is Robert Pattinson actually a front-runner for the Best Actor Oscar?
    Industry outlets currently categorize him as an “outside contender” or dark-horse candidate. The race remains highly competitive and will depend on precursor awards and guild nominations in early 2025.
    How did Chris Hansen react to the film and the memes?
    Hansen has publicly embraced the meme phenomenon, stating on the H3 podcast that it introduces his work to new generations and that fighting the internet’s affection for catchphrases is pointless.
  • Chris Hansen Claims 98% of ‘Primetime’ Is Pure Fiction, Gives Robert Pattinson a D Rating

    Chris Hansen Claims 98% of ‘Primetime’ Is Pure Fiction, Gives Robert Pattinson a D Rating

    Key Highlights

    • Chris Hansen labeled the film “Primetime” as “over the top” during a special episode of his “Have a Seat” podcast.
    • Hansen described Robert Pattinson’s portrayal of him as “so detached, so unhinged, so dark, so unlikable.”
    • The commentary was delivered on Hansen’s own podcast platform, “Have a Seat,” where he watched and reacted to the project.

    Chris Hansen Delivers Blunt Assessment of “Primetime” Film

    Longtime television journalist and “To Catch a Predator” host Chris Hansen offered a unsparing review of the film “Primetime” during a dedicated segment of his podcast, “Have a Seat.” In the special episode, Hansen watched the production and provided real-time commentary, pulling no punches in his evaluation of the project as a whole. His verdict on the film itself was concise and cutting, dismissing it as over the top. The reaction underscores Hansen’s direct engagement with media portrayals of his career and persona, utilizing his own broadcast platform to address the depiction head-on.

    Scathing Critique of Robert Pattinson’s Portrayal

    The most pointed remarks were reserved for the performance of Robert Pattinson, who portrays a version of Hansen in the film. Hansen did not mince words in dissecting the actor’s interpretation, characterizing it through a string of damning adjectives. He stated the portrayal was so detached, so unhinged, so dark, so unlikable. The quartet of descriptors paints a picture of a performance that Hansen feels fundamentally misses the mark, veering into territory he finds unrecognizable and unappealing. The criticism carries weight given it comes from the subject of the portrayal himself, offering a rare first-person rebuttal to a dramatic representation.

    “Have a Seat” Podcast Serves as Venue for Rebuttal

    The choice of venue for this critique is notable. Hansen opted to air his views on “Have a Seat,” his own podcast brand, which shares its name with the iconic phrase from his “To Catch a Predator” investigations. By addressing the film on his own terms and in his own format, Hansen controls the narrative context, framing the viewing experience for his audience directly. The special episode format suggests a deliberate effort to tackle the subject comprehensively, positioning the podcast as a primary channel for Hansen’s media criticism and personal response to cultural depictions of his work.

    Why This Matters

    The exchange highlights the friction that can arise when real-life public figures are dramatized on screen, particularly when the figure remains active and vocal in the media landscape. Hansen’s visceral rejection of both the film’s tone and the lead performance signals a significant disconnect between the filmmakers’ artistic choices and the subject’s self-perception. For audiences and industry observers, the incident serves as a real-time case study in the ethics and accuracy of biographical or inspired-by storytelling, especially when the subject has a platform to immediately contest the narrative. The upcoming release or distribution of “Primetime” will now carry the baggage of its central figure’s public repudiation.

    Frequently Asked Questions

    What film did Chris Hansen criticize?
    Chris Hansen criticized the film titled “Primetime.”
    What were Chris Hansen’s exact words about Robert Pattinson’s performance?
    Hansen described Robert Pattinson’s version of him as so detached, so unhinged, so dark, so unlikable.
    Where did Chris Hansen make these comments?
    He made the comments during a special episode of his podcast, “Have a Seat,” while watching the film.
  • Robert Pattinson Hopes for Chris Hansen’s Take on His ‘Primetime’ Portrayal

    Robert Pattinson Hopes for Chris Hansen’s Take on His ‘Primetime’ Portrayal

    Key Highlights

    • Robert Pattinson responds to Chris Hansen’s “hit piece” criticism of A24’s Primetime, expressing hope the To Catch a Predator host will understand the film’s nuanced portrayal after viewing it.
    • Pattinson reveals he drew performance inspiration from the active To Catch a Predator Reddit community rather than consulting Hansen directly, emphasizing the film explores cultural perception over biographical accuracy.
    • Early critical acclaim positions Pattinson for awards contention, with The A.V. Club calling it a “career best” and The Telegraph awarding a perfect five stars, comparing the film to Nightcrawler.

    Pattinson Addresses Hansen’s Criticism Amid Awards Buzz

    Robert Pattinson has broken his silence on Chris Hansen’s scathing pre-release critique of Primetime, the A24 film in which Pattinson portrays the longtime To Catch a Predator host. Hansen, who has not yet seen the completed movie, labeled it a hit piece in a recent interview, claiming a non-disclosure agreement from A24 would have required him to sign his rights away to attend a screening. Studio sources countered that the document was a boiler-plate NDA to avoid spoiling the film. Speaking exclusively to LADbible, Pattinson acknowledged he was kept pretty out the loop regarding Hansen’s public comments but offered a measured defense of the project’s intent.

    Performance Rooted in Cultural Perception, Not Biography

    Pattinson clarified that Primetime does not function as a conventional biopic seeking to dramatize the psychology of a real person. Instead, the actor explained the film operates on a meta-level, examining the public perception of the series and its host. If you look at it, [Primetime is] a very particular tone, Pattinson said. I think when you watch the movie it’s not like you’re watching a guy, a human, you’re trying to do a portrait and you’re heightening some elements, and so hopefully when he watches it, if he watches it, he understands that. The actor reiterated his hope that Hansen would ultimately appreciate the film, adding, I hope when he sees it he’s going to like it.

    Navigating Meme Status and Cultural Relevance

    Pattinson offered a sympathetic reading of Hansen’s complicated relationship with his own legacy. I think he’s someone who’s managed to ride… for doing something where you’re a reporter and I don’t think he’s ever had any intention of becoming the meme figure and to be able to navigate that is complicated in and of itself, and I think he’s done that with grace, Pattinson observed. He noted Hansen’s enduring cultural footprint two decades after the original show’s debut, suggesting the host understands that the different amalgamations of your persona is an organic thing that keeps evolving. Rather than consulting Hansen directly, Pattinson immersed himself in the To Catch a Predator subreddit, which he described as still very active, using the community’s discourse to shape his understanding of how the show and its host are perceived today.

    Co-Star and Critics Signal a Nuanced, Provocative Film

    Skyler Gisondo, who co-stars as Decoy Dan, reinforced the film’s refusal to moralize. I don’t think Lance [Oppenheim, the director] is the kind of filmmaker where he’s telling you what to think in this heavy handed way, Gisondo said. I think it’s just this show happens to be a really interesting inflection point in some way on our culture and a really interesting time capsule to look back at 20 years ago and what the show was doing then. Early reviews validate this approach. The A.V. Club hailed Pattinson’s turn as a career best, while The Telegraph awarded a rare five-star review, writing: Inspired by a 2007 magazine article about the series’ grisly conclusion the previous year, it is the best and nastiest film of its type since 2014’s Nightcrawler: it leaves its audience simultaneously appalled and thrilled, and thereby grubbily complicit. Merrit Weaver’s supporting performance has also drawn significant praise.

    Why This Matters

    Primetime arrives at a cultural moment where the ethics of reality television, predator-sting journalism, and internet vigilantism are under renewed scrutiny. By casting a major movie star as Chris Hansen and filtering the story through the lens of online fandom rather than the subject’s own testimony, director Lance Oppenheim positions the film as a critique of media spectacle itself. The dispute between Hansen and the filmmakers highlights the tension between public figures and the secondary narratives that calcify around them in the digital age. With a limited U.S. release on September 25 and a U.K. debut on October 31, the film’s awards-season trajectory—fueled by Pattinson’s transformative performance and Oppenheim’s rising auteur profile—will test whether audiences and academy voters embrace a project that refuses to settle for easy villainy or vindication.

    Frequently Asked Questions

    Has Chris Hansen seen Primetime?
    No. As of the latest reports, Hansen has not viewed the film. He declined a screening invitation citing an NDA he characterized as requiring him to sign his rights away, though A24 sources describe it as a standard confidentiality agreement to prevent spoilers.
    Is Primetime a biopic of Chris Hansen?
    According to Robert Pattinson, the film is not a traditional biopic. It focuses on the cultural perception of To Catch a Predator and its host rather than a psychological portrait of Hansen as a private individual.
    When and where can audiences watch Primetime?
    The film opens in the United States on September 25 and in the United Kingdom on October 31, distributed by A24.
  • Robert Pattinson Makes Chris Hansen a Scary Clown in Primetime Review

    Robert Pattinson Makes Chris Hansen a Scary Clown in Primetime Review

    Key Highlights

    • A24’s Primetime reimagines Chris Hansen of To Catch a Predator fame as a fame-obsessed antihero, with Robert Pattinson delivering a chilling, accent-perfect performance directed by Lance Oppenheimer.
    • The film dramatizes the 2007 Esquire exposé “Tonight on Dateline This Man Will Die” and the fatal Murphy, Texas sting, featuring a standout ensemble including Merritt Wever, Skyler Gisondo, and Phoebe Bridgers in her acting debut.
    • Despite electrifying performances and a haunting first two acts, the review argues the finale retreats into restrained cynicism and disconnected supernatural imagery, ending with a whimper instead of the daring conclusion the material demands.

    A Fever Dream of Ambition: Primetime Dissects the Making of a Media Monster

    Lance Oppenheimer, the filmmaker soon to collaborate with Nathan Fielder on the Elizabeth Holmes documentary You Can See Everything, turns his lens on the rise and rot of reality television justice in Primetime. The A24 drama, now in theaters, is based on the 2007 Esquire article “Tonight on Dateline This Man Will Die” and plunges viewers into the heyday of To Catch a Predator, the Dateline special report that graduated to a primetime sensation. At its center sits Chris Hansen, once revered for his practiced poise in confronting alleged pedophiles before hidden cameras. As attorney-turned-foe Two-Face said in The Dark Knight, “You either die a hero or live long enough to see yourself become the villain.” Primetime posits that Hansen’s villain era has arrived, painting him not as a guardian of justice but as a “fame-hungry monster” willing to sacrifice ethics, relationships, and human lives for ratings dominance over rival Stone Phillips.

    Pattinson’s Haunting Metamorphosis Anchors the Horror

    Robert Pattinson’s portrayal is the film’s gravitational force. Shedding his signature daffy swagger and English accent entirely, he adopts a stern American anchor tone “eerily in line with the real Hansen’s.” The transformation is clinical and terrifying; when he tells a fretful stranger, “take a seat,” the line triggers a “chilling thrill of recognition” for anyone who witnessed the original broadcasts. The review draws a direct line to Jake Gyllenhaal in Nightcrawler and Christian Bale in American Psycho, noting Pattinson taps the dark side of the American Dream but with a distinct, heightened “anchorman intensity”—a “funhouse mirror version, or a TEMU Halloween mask of Hansen.” In one outrageous moment illustrating the total consumption of self by persona, Chris answers his personal cell phone in character, saying intensely, “This is Chris Hansen.” His wife on the other end is flustered “in a way that suggests this is not a one-off. She’s lost her husband to his show, and she knows it.”

    An Ensemble of Complicity and Collateral Damage

    Surrounding Pattinson is a “terrifically talented cast” elevating material that occasionally veers into archetype. Three-time Emmy winner Merritt Wever plays producer Andie Bender, injecting “surliness and flushes of doubt” into a role that could have been a tedious moral compass; she is simultaneously the voice of reason and an enabler, creating an “electrifying” battle of wills with Pattinson. Matthew Maher revels as the self-righteous internet researcher Xavier Von Erck, while Phoebe Bridgers makes a compelling, gruff acting debut as decoy Del, projecting the “armor demanded by this decoy role” rather than vulnerability. Skyler Gisondo emerges as the film’s “thumping heart” playing Dan Plumb, a thinly veiled version of real-life decoy Dan Schrack. Gisondo translates the “discomfort and terror of being bait” with boyish nervousness, and Oppenheimer wisely lingers on Dan’s perspective during an early sting, leaning into the discomfort rather than playing it solely for dark laughs.

    Why This Matters: The Reckoning of Reality TV’s Predatory Era

    Primetime arrives amid a critical reassessment of the “predator hunting” genre. Last year’s documentary Predators rigorously re-evaluated To Catch a Predator‘s practices and its inspiration of reckless imitators. Oppenheimer’s film dramatizes the specific inflection point where journalistic enterprise curdled into entertainment spectacle—the move to a demanding primetime slot that pressured the team to engineer ever-more-dramatic “catches,” culminating in the infamous Murphy, Texas operation. That real-life sting resulted in the suicide of a district attorney and the eventual cancellation of the series, a scandal the film recreates. By framing Hansen’s ambition through a horror-thriller lens, Primetime forces audiences to confront the complicity of a viewership that tuned in by the millions to watch “some perverted form of justice play out on TV as armed officers would tackle one suspect after another for our entertainment.” The film questions not just the hunter, but the ecosystem that fed him.

    Frequently Asked Questions

    Is Primetime a direct biopic of Chris Hansen?
    No. While based on the 2007 Esquire article “Tonight on Dateline This Man Will Die” and the real events surrounding the Murphy, Texas sting, the film is described as a heightened psychological thriller and horror movie about blind ambition. Pattinson’s performance is a “theatrical interpretation”—a “funhouse mirror version” of Hansen—rather than a strict mimicry. The real Chris Hansen has not seen the film and is reportedly displeased with the depiction.
    Who are the key supporting characters and who plays them?
    The ensemble includes Merritt Wever as producer Andie Bender, Matthew Maher as researcher Xavier Von Erck, Skyler Gisondo as decoy Dan Plumb (based on Dan Schrack), Phoebe Bridgers in her acting debut as decoy Del, Bill Heck as rival anchor Stone Phillips, and Anna Farris as Hansen’s wife.
    What is the main criticism of the film’s ending?
    The review argues the final act “loses its nerve.” Despite building intense dread through Pattinson’s performance, the depiction of the fatal Murphy, Texas climax feels “oddly restrained.” The film abruptly introduces “xenophobic supernatural iconography” and ghostly flair that feels disconnected from the grounded psychological horror preceding it, retreating to a “dully cynical” final scene instead of following the protagonist’s dark trajectory to a more damning, daring conclusion.
  • Venice Film Festival Ends With Golden Lion at Stake After ‘NAZA’ Draws Record Ovation

    Venice Film Festival Ends With Golden Lion at Stake After ‘NAZA’ Draws Record Ovation

    Venice Film Festival 2026: Top Contenders Emerge as Jury Deliberates Golden Lion

    The 83rd Venice Film Festival concludes Saturday with the presentation of the Golden Lion for best film and other major jury prizes. While the Maggie Gyllenhaal-led jury’s decisions remain unpredictable, several of the 21 competition entries have distinguished themselves through extraordinary audience receptions, blending urgent current events, Hollywood star power, and acclaimed international cinema.

    Documentary “NAZA” Sets Ovation Record

    The late festival addition “NAZA” received a historic 25-minute standing ovation — the longest on record at Venice. The documentary features Israeli military insiders providing insight into the war in Gaza and what they describe as the systemic killing of Palestinian civilians. The film is the only documentary in competition and boasts one of two female directors in the slate, with Rachel Szor sharing directing duties with Yuval Abraham.

    This reception surpasses the 24-minute ovation for last year’s “The Voice of Hind Rajab,” a film about a 6-year-old girl killed in Gaza that ultimately received the Silver Lion runner-up prize while the Golden Lion went to Jim Jarmusch’s “Father Mother Sister Brother.” Notably, “The Voice of Hind Rajab” director Kaouther Ben Hania serves on this year’s jury alongside English composer Daniel Blumberg, French filmmaker Xavier Giannoli, Afghan filmmaker Shahrbanoo Sadat, and Hong Kong filmmaker Johnnie To.

    Star-Driven Contenders Draw Enthusiastic Responses

    Martin McDonagh’s “Wild Horse Nine” impressed festivalgoers with its sharp script and performances from John Malkovich and Sam Rockwell. The dark comedy follows two CIA agents on a trip to Easter Island shortly before the 1973 military coup in Chile. McDonagh’s previous Venice premieres — “Three Billboards Outside Ebbing, Missouri” and “The Banshees of Inisherin” — both earned screenplay prizes, with the latter securing a best actor win for Colin Farrell. Both films went on to multiple Oscar nominations, including best picture, with “Three Billboards” winning two Academy Awards for Rockwell and Frances McDormand.

    “Bunker,” a psychological thriller reuniting real-life couple Javier Bardem and Penélope Cruz on screen, also garnered over 14 minutes of applause. Written and directed by Florian Zeller, the film explores marital tensions when an acclaimed architect is commissioned to build a luxury bunker for a tech billionaire, though it received mixed critical reviews. Festival observers note that ovations in Venice can sometimes reflect star power more than artistic consensus.

    Acting Showcases Generate Awards Buzz

    The crime thriller “Primetime” raises speculation about whether Robert Pattinson might be recognized for his widely praised portrayal of “To Catch a Predator” host Chris Hansen. Meanwhile, sisters Rooney and Kate Mara deliver synchronized performances in Werner Herzog’s “Bucking Fastard” that could attract jury attention.

    International Contingent Offers Critical Favorites

    The international competition includes Danish-Egyptian filmmaker May El Toukhy’s tense domestic drama “Woman Unknown,” set in post-World War II aftermath; Hirokazu Koreeda’s contemplative manga adaptation “Look Back”; and South Korean auteur Lee Chang-dong’s “Possible Love,” a poetic portrait of class and labor.

    Lee’s first film in eight years following his acclaimed “Burning” features actors Jeon Do-yeon, Sul Kyung-gu, Zo In-sung, and Cho Yeo-jeong as two married couples — one wealthy, one struggling — connected through a documentary about laid-off workers in Korea. “Possible Love” became an immediate critical favorite at the festival.

    Jury Unpredictability Looms Large

    Despite the ovation metrics and critical consensus, Venice juries have a history of surprising decisions. The 2019 Golden Lion win for “Joker” remains a prominent reminder that the jury’s final verdict often defies festival buzz and critical predictions.

  • Kristen Stewart made ‘greatest mistake an actor might make’ with Robert Pattinson



    Kristen Stewart has opened up about making an enormous mistake whereas on set with Robert Pattinson.

    The 35-year-old actress is maybe finest identified for showing within the Twilight sequence as Bella Swan, a schoolgirl who falls in love with 104-year-old vampire Edward Cullen, portrayed by Pattinson.

    Regardless of him hating his character, there’s loads of individuals who felt the exact opposite, with the sequence additionally giving us some iconic moments and features. I imply, who might overlook that unusual baseball scene with Muse within the background?

    Pattinson has a particularly busy 2026 starring in The Drama, The Odyssey and Dune: Half Three, all alongside Zendaya. He first discovered fame because of his position as Cedric Diggory in Harry Potter and the Goblet of Fireplace, however he actually cemented his standing as a intercourse image in his undead position, and it clearly had an impact on Stewart as properly.

    She has now opened up about what it was prefer to fall in love together with her co-star, as they dated on and off for round 4 years between 2009 and 2013, weathering a dishonest scandal and limitless media consideration.

    She was on Group Edward for for a couple of years (Ian Gavan/Getty Photos)

    Talking on The Howard Stern Present in 2019, she stated: “It is so bizarre, like, truly being sincere about this. It has been so closely consumed.

    “I’ve this worry that individuals would assume that possibly I am, like, you realize — it is sort of attention-y, like, ‘Oh, cool, you are still, like, pushing that narrative’ or no matter.

    “It is like, no, I’ve truly by no means been allowed to simply say what occurred. As a result of I used to be so self-conscious about seeming like an attention-seeker.”

    Whereas some followers have urged that their romance was partly to gas publicity across the movie, Stewart reassured followers that it was love.

    Stewart and her spouse Dylan Meyer (Christopher Polk/WWD by way of Getty Photos)

    Stern informed Stewart that, in his opinion, falling in love on set is ‘the largest mistake an actor could make.’

    “There was nothing I might do,” she replied, laughing.

    “We have been collectively for years. That was, like, my first, you realize,” she stated.

    “Love,” Stern interjected.

    “Yeah, I imply, like, I used to be tremendous in love with my high-school boyfriend. Tremendous, tremendous f**king in love with him. However me and Rob have been, like, a bit older, and it was similar to, ‘gu-gung.’”

    Regardless of the 2 relationship throughout filming of 2011 launch Breaking Daybreak, Pattinson later described one in every of their intimate moments as ‘probably the most troublesome issues he is ever needed to do’, which is much more spectacular contemplating he actually masturbated on digital camera for 2008 launch Little Ashes.

    Stewart received married to her screenwriter girlfriend Dylan Meyer final 12 months, whereas Pattinson has been in a relationship with British mannequin and actress Suki Waterhouse since 2018.

    Whereas issues did not work out for the Twilight pair, there are many actors who met on set who’ve, or look set to, go the gap, together with Zendaya and Tom Holland, Mila Kunis and Ashton Kutcher and Package Harington and Rose Leslie.

  • Jennifer Lawrence makes daring confession about filming intercourse scenes



    Jennifer Lawrence has opened up about intercourse scenes, making a daring confession about what it is wish to movie them.

    Lawrence, 35, has needed to movie a good few intimate scenes throughout her 20-year profession, and it seems she has a desire in relation to who she movies them with.

    Lawrence made the confession whereas chatting about her latest movie, Die My Love, through which she performs Grace, a brand new mum affected by postpartum despair and psychosis. Robert Pattinson performs Grace’s husband Jackson, and the film contains two major intercourse scenes, together with one dubbed the ‘tiger scene’.

    Chatting with Josh Horowitz on the 92nd Avenue Y, as per PEOPLE, Lawrence defined that she and Pattinson needed to movie the scene on their very first day of filming, regardless of not realizing each other in any respect.

    Lawrence opened up about filming intercourse scenes (Dia Dipasupil/Getty Pictures for ABA)

    “The day earlier than our first day, Lynne confirmed Rob and I a scene from If,” Lawrence beforehand stated on the 2025 Cannes Movie Pageant.

    “It was these actors, and so they’re attacking one another like tigers, and we had been like, ‘OK, yeah,’ and he or she was like, ‘Are you able to do it bare, yeah?’

    “We had been like, ‘Oh, OK,’ and that was the primary day on set.”

    Seems, Lawrence discovered it simpler to movie the scene as a result of truth she did not already know Pattinson.

    “It was truly simpler that approach as a result of Rob and I didn’t know one another, which is sort of higher, ?,” she instructed Horowitz.

    “Like in Starvation Video games, like me and Josh Hutcherson must kiss and that is like… Think about it.

    The pair needed to carry out a ‘tiger’ scene (Mubi)

    “You already know, it is weirder and so yeah, doing it with a stranger is preferable.”

    Lawrence additionally defined that previous to the tiger scene, she and Pattinson took ‘interpretive dance classes’.

    “We obtained to Calgary like three weeks earlier than we began capturing. Rob and I each [are] embarrassed very simply, and that was mortifying. It was, I imply, I am not…a dancer, Rob’s [the] worst dancer,” she stated.

    Lawrence stars alongside Robert Pattinson (Kristina Bumphrey/Selection through Getty Pictures)

    “And, and it was like, now blow like a tree — prefer it was simply so embarrassing. So I believe by the point she was like, ‘Yeah, get bare.’ We had been simply sort of like, ‘Okay, not less than it is not interpretive dance…’”

    Lawrence additionally defined that filming the awkward scenes immediately helped ease her nerves on set, including that she sometimes suffers with nervousness previous to beginning a brand new movie.

  • Tom Holland addressed relationship with Zendaya as Robert Pattinson ‘engagement’ photograph goes viral



    Zendaya and Robert Pattinson left some followers feeling barely nervous after a photograph of the pair was revealed saying their ‘engagement’.

    Tom Holland has beforehand commented on his relationship with Zendaya, after rumours that they had been engaged circulated.

    Individuals on social media had been understandably confused after information broke of the actors posing collectively, whereas Zendaya confirmed off a big diamond ring.

    Pattinson himself has been in a long-term relationship with actress and singer Suki Waterhouse for years, however readers of The Boston Globe yesterday most likely needed to scratch their eyes after seeing a bit devoted to the actors who’re apparently getting engaged.

    The announcement threw folks off, however moderately unsurprisingly to nearly all of folks, the photograph and accompanying description was put up as a part of a advertising and marketing marketing campaign for his or her upcoming romantic comedy movie, titled The Drama.

    ‘The Drama’ is an upcoming movie starring Pattinson and Zendaya as a pair (A24)

    Taking a more in-depth take a look at the piece, readers would have realised the engagement was for Emma Harwood and Charlie Thompson, the names of the actors’ characters within the upcoming A24 film.

    So, whereas Tomdaya followers had been in a position to breathe a sigh of reduction, it is price remembering that the Spider-Man stars desire to not share particulars about their private lives, so an ‘announcement’ about something would appear unlikely.

    Talking again in 2021, Holland admitted to GQ: “One of many downsides of our fame is that privateness is not actually in our management anymore.

    “And a second that you just assume is between two those who love one another very a lot is now a second that’s shared with all the world.”

    Talking extra about his relationship with Zendaya, he added: “I’ve all the time been actually adamant to maintain my personal life personal, as a result of I share a lot of my life with the world anyway.

    “We type of felt robbed of our privateness.”

    Rumours have swirled about Holland and Zendaya turning into engaged previously 12 months or so however whereas these have not been confirmed or denied by them particularly – though they had been by Tom’s dad Dominic in a weblog publish – the Unchartered actor did affirm that the pair had been nonetheless collectively final 12 months.

    Holland and Zendaya have been collectively for 4 years (David M. Benett/Dave Benett/WireImage)

    Again in December final 12 months, the Brit was asked by TMZ: “Are y’all damaged up or not?”

    To which he replied: “No, completely not.

    “Our relationship is one thing that we’re fairly protecting of and we need to hold as sacred as potential,” the 29-year-old instructed The Hollywood Reporter in 2024.

    “We do not assume that we owe it to anybody, it is our factor, and it has nothing to do with our careers.”

    As for the newspaper that revealed the snap, they posted about it by revealing that they’d had an ‘uncommon request’ on Monday, even asking if they might maintain off on their TV Critic’s Nook column to permit an advert to run as a substitute.

    This ended up being the engagement for the movie with the photograph of Pattinson and Zendaya.

  • Zendaya and Robert Pattinson’s ‘engagement’ photograph is leaving followers shook



    Zendaya and Robert Pattinson have left followers shook after a newspaper announcement for the pair’s ‘engagement’ went viral on social media.

    Many followers of the 2 who haven’t seen the posts could also be left a bit confused by that assertion, pondering that Zendaya is definitely engaged to Tom Holland and Robert Pattinson has been in a relationship with Suki Waterhouse for years.

    You’d be right in that pondering, however anybody selecting up US newspaper The Boston Globe yesterday would have been met with a weird sight regardless – an engagement announcement accompanied by an image of the pair of Hollywood superstars.

    This was, after all, an elaborate advertising and marketing plot to announce a brand new movie starring the pair, which launched its first trailer immediately.

    Referred to as The Drama, the announcement within the newspaper was for his or her characters Emma Harwood and Charlie Thompson, and is a model new A24 romance movie.

    An announcement was put within the Boston Globe (Boston Globe)

    The Boston Globe posted about the way it happened, saying that they acquired an ‘uncommon request’ on Monday, asking if they might maintain their ‘day by day TV Critic’s Nook column so an advert might run in that house in print, proper subsequent to the Love Letters romance recommendation column’.

    This turned out to be the mock engagement for the movie.

    Followers on social media have praised the advertising and marketing transfer, with one remark saying: “That is such a sensible transfer from their advertising and marketing group, would cease me in my tracks! I like that it’s subsequent to like letters.”

    One fan tweeted questioning whether or not’ A24 really positioned an engagement announcement in The Boston Globe as a part of the movie’s advertising and marketing’, with one fan quoting this to say: “love the concept of somebody who doesn’t know who they’re studying the morning paper simply pondering essentially the most stunning couple on the planet simply dropped.”

    

    Different feedback on Reddit merely praised the primary look, with one saying they ‘lowkey look good collectively’, whereas one other stated: “I do know nothing about this film, the plot, or the opposite members of the solid however this poster has me instantly .

    “Good job for whoever designed this.”

    Past the varied bizarre social media feedback bizarrely poking enjoyable at Tom Holland, one of many massive takeaways that many followers have had from the trailer is how this makes 2026 an enormous 12 months for each Zendaya and Pattinson, who are actually starring in three hotly anticipated movies collectively.

    Zendaya stars alongside Pattinson (A24)

    In addition to The Drama, which has drawn quite a lot of curiosity from the engagement announcement and subsequent trailer, Zendaya and Pattinson are additionally starring collectively in Dune 3 and The Odyssey.

    One fan tweeted: “What an insane run for them each.”

    One other touch upon Reddit: “Zendaya and Pattinson having fairly the 12 months in 2026…Dune, Odyssey, Spider-Man, this.”

    Plot particulars forThe Drama have been saved largely below wraps to this point, with the mysterious tagline merely saying: “Days earlier than their wedding ceremony, a pair’s relationship is shaken when one accomplice discovers unsettling truths concerning the different.”

    The Drama is about to launch in Spring 2026.

  • Robert Pattinson reveals why he is open to a Twilight reboot after admitting he hated his character



    Regardless of what he’s mentioned previously, Robert Pattinson has revealed there’s a sure motive that leaves him open to returning to considered one of his most well-known roles.

    Yep, the Edward Cullen actor has steered he would really be up for a reboot of The Twilight Saga.

    Though it comes with a fairly sarky reasoning, however simply not so sarky that he flew by means of the lie detector check breezily.

    You may need seen that Pattinson’s been doing a press tour with Jennifer Lawrence just lately for his or her upcoming comedy-drama, Die My Love.

    However regardless of all the movies and main roles he’s been in since, there’s no denying that lots of people know him greatest for enjoying the enduring vampire within the franchise from 2008 to 2012.

    I imply, is he actually Staff Edward? (Franco S. Origlia/Getty Photos)

    Over this previous decade or so, although, Pattinson has poked a good bit of enjoyable on the function, having even as soon as joked in regards to the novel it’s based mostly on: “After I learn it, it felt like a guide that shouldn’t have been printed.”

    He’s lengthy referred to it as a ‘bizarre story’ and has even mentioned he just about hated his character.

    Pattinson advised Empire Journal again in 2008: “He is essentially the most ridiculous one who’s so wonderful at every thing. I feel a whole lot of actors tried to play that side. I simply could not do this.

    “And the extra I learn the script, the extra I hated this man, in order that’s how I performed him, as a manic-depressive who hates himself. Plus, he is a 108-year-old virgin, so he is clearly obtained some points there.”

    I imply, together with his feedback, it’s fairly vital to recollect Pattinson has fairly a particular model of British humour and doesn’t significantly shrink back from taking the p**s.

    And through Vainness Honest’s lie detector check with Lawrence, she requested: “In the event that they had been gonna direct a brand new Twilight, would you do it?”

    “Oh yeah, for certain,” he responded as his co-star appeared completely baffled and mentioned: “I don’t suppose you must, however okay.”

    “It might be nice,” Pattinson continued, passing the check, “I like taking jobs off youthful actors. I do. I wanna play 17 once more – there’s a film, Zac’s film, 17 Once more.

    “I wanna be 17 once more, yearly.”

    He went on to joke that he’s Gen Z, whereas Lawrence doubled down that at 39 years outdated, he’s very a lot a millennial.

    So, Twilight followers, take from that what you’ll, however do you critically suppose a virtually 40-year-old might play the immortal Edward Cullen?